Saturday, February 18, 2012

FEBRUARY 2012 VINYL RECORD RELEASES

A few select Vinyl Releases For FEBRUARY 2012


Between new albums from Paul McCartney and Of Montreal, this February's vinyl releases come full circle. And there are some excellent reissues and anthologies in the mix. So dig in ...


Paul McCartney – Kisses on the Bottom (Hear Music)
The new solo album from Paul McCartney is an intimate collection of American standards alongside two new McCartney originals. Produced by jazz producer Tommy LiPuma, Kisses on the Bottom features Diana Krall and her band plus guests Eric Clapton and Stevie Wonder performing songs that McCartney grew up with and later drew upon in his songwriting with John Lennon. Available as a 180-gram double gatefold LP with digital download card.


The Grateful Dead – Wake of the Flood (Mobile Fidelity)
180-gram vinyl pressing of the 1973 album that ushered in a new era for the Dead: a new label, a new line-up, and a new sonic palette full of horns and violin. Part of Mobile Fidelity’s Amazing Grateful Dead reissue series (which also includes Live/Dead, Skull and Roses, and In the Dark) the album was half-speed mastered from the original tapes and will let you experience this classic like never before.


The Deftones – Saturday Night Wrist (Maverick)
The fifth album from the alt-metal band, originally released in 2006, is available once again on vinyl. In essence, Saturday Night Wrist could be considered the Deftones’ Rumours as the making of the album was wrought with turmoil, strained relationships, and drug addiction – and the result is one of the band’s most acclaimed and diverse works to date. Produced by Bob Ezrin (Pink Floyd, Jane's Addiction) and former Far guitarist Shaun Lopez.



Rainbow – Bent out of Shape (Plastic Head Distribution)
Limited 180-gram green vinyl reissue of the British hard rock band's more commercial 1983 album featuring “Street of Dreams” and “Can’t Let You Go.” This was the last album released by Rainbow before Ritchie Blackmore and Roger Glover left to reform Deep Purple.


Foghat – Last Train Home (Ingrooves/Foghat Records)
Limited-edition reissue of the classic rock band’s 2010 homage to its blues roots. Pressed on 180-gram blue vinyl.


Gene Ammons – Blue Gene (Original Jazz Classics)
Vinyl reissue of this 1958 “blowing session” studio jam based on various blues forms. In the room are jazz tenor saxophonist Gene Ammons, trumpeter Idrees Sulieman, baritonist Pepper Adams, pianist Mal Waldron, bassist Doug Watkins, drummer Art Taylor, and percussionist Ray Barretto on congas.


Dr. Dog – Be the Void  (ANTI-)
The new album from Philadelphia’s Dr. Dog is a cathartic rock and roll record that combines the stellar songcraft of the band's last two albums, Fate (2008) and Shame, Shame (2010), with its explosive live energy. Double LP is packaged with full album on CD.


Cocteau Twins – Stars and Topsoil: A Collection 1982-1990 (4AD)
Available for the first time on vinyl, Stars and Topsoil is the Scottish dream-pop band’s first best-of collection from their 4AD years. And it's exquisite.


Mark Lanegan Band – Blues Funeral (4AD)
After a series of collaborations with Isobel Campbell (Belle & Sebastian), the gravelly voiced, former-Screaming Trees singer Mark Lanegan returns with a new double LP – his first solo release since 2004's Bubblegum. Featuring guest appearances from cohorts Josh Homme (Queens of the Stone Age), Greg Dulli (Gutter Twins), and Jack Irons, the album brims with his dark, spooky blues-rock and distinctly reflects Lanegan's influences (i.e. The Gun Club's Miami, Joy Division's Closer, and Roxy Music's Country Life.)



Chuck Prophet – Temple Beautiful (Yep Roc Records)
A concept album about San Francisco? It’s about time! Named after the extinct rock club where singer-songwriter Chuck Prophet saw his first shows as a teenager, Temple Beautiful was made in San Francisco, by San Franciscans, about San Francisco. Prophet describes it as “my effort to tap into the history, the weirdness, the energy, and spontaneity that brought me here in the first place.”


Wendy Rene – After Laughter Comes Tears: Complete Stax & Volt Singles + Rarities 1964-1965 (Light in the Attic)
For the first time ever the Memphis soul legend’s music is available together in one collection. This double vinyl LP features Rene's early recordings with the Drapels and well-known singles (like “After Laughter,” which Wu-Tang Clan sampled on their album 36 Chambers), as well as rarities and two unreleased tracks.


Ben Kweller – Go Fly a Kite (The Noise Company)
The fifth studio album from the pop-rock singer-songwriter marks the debut release of his Austin-based label, the Noise Company. Go Fly a Kite is being heralded as career-defining for its ability to showcase Kweller's diversity and many talents. 180-gram vinyl plus free CD.



Of Montreal – Paralytic Stalks (Polyvinyl Records)
You know you’re in for a ride with each of Kevin Barnes’ brainchilds, and his latest, Paralytic Stalks, is a dizzying avant-pop frenzy indeed - but also an intimate and rewarding one. Available on 180-gram vinyl.

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Source: vinylrevinyl.com

Thursday, February 2, 2012

"LIVE DEAD" Vinyl Record Re-Issue - by GRATEFUL DEAD

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"Ranks #244 on Rolling Stone’s List of the...
"500 GREATEST RECORDS of ALL TIME.""




    "LIVE DEAD" 

 
 
            by GRATEFUL DEAD

Numbered Limited Edition 180g 2LP Set



 Track Listing:

Side 1
1. Dark Star

Side 2
1. St. Stephen
2. The Eleven

Side 3
1. Turn On Your Love Light

Side 4
1. Death Don't Have No Mercy
2. Feedback
3. And We Bid You Goodnight


    NOTATIONS:
Part of Mobile Fidelity’s Amazing Grateful Dead Reissue Series: Skull and Roses, From the Mars Hotel, Wake of the FloodIn the Dark and LIVE DEAD - All Available as 180g LP.

Half-Speed Mastered from the Original Master Tapes

LIVE DEAD  Captures Best of Both Worlds: Band’s Improvisational and R&B Display

LP Ranks #244 on Rolling Stone’s List of the 500 Greatest Records of All-Time


If you want to experience why on any given night the Grateful Dead was the best live band going in 1969, you need to hear Live/Dead. If you want to understand how personal chemistry, symbiotic interplay, and otherworldly energy can lead to a near-extinct onstage combination of soulfulness, surprise, and suspense, you need to hear Live/Dead.

Ranked by Rolling Stone on the magazine’s list of the 500 Greatest Records of All Time. Universally acclaimed by both Deadheads and non-devotees alike. The perfect synthesis of the legendary group’s first-era vital characteristics and cosmic faculties.

Half-speed mastered from the original master tapes with the utmost care, and part of Mobile Fidelity’s unprecedented Grateful Dead reissue series, this numbered limited edition 180g 2LP version of Live/Dead raises the iconic album’s lofty prestige even higher. Recorded at three San Francisco concerts in early 1969 with a mobile 16-track studio, the 7-song set has always possessed excellent fidelity in large part because of a mic splitter—specially created for the project—that fed both into the PA system and record inputs, allowing the engineers to capture the shows without any loss in quality.

Seldom have venue dimensions, acoustic properties, spatial characteristics, low-frequency resonances, amplifier tonalities, soundstage balances, and vocal timbres been so faithfully reproduced—or enhanced. Mobile Fidelity’s version elevates Live/Dead into the revered pantheon of the most respected reference audiophile LPs. Close your eyes and you’re dead center, ten rows back in two of the Bay Area’s most beloved halls: Fillmore West and Avalon Ballroom. The degrees of realism are utterly staggering; no, you don’t need any, ahem, chemical assistance to facilitate the transcendent experience.

Renowned for contagious communication between its members, the Dead operates on a interstellar plane throughout Live/Dead. Witnessing the ebb-and-flow manners in which guitarist Jerry Garcia, bassist Phil Lesh, and drummer Billy Kreutzmann respond to one another’s passages and blur the lines between jazz, psychedelia, and rock disciplines. Meandering jamming this is not. Solos burn, rhythms thunder, bass lines roll, melodies twist. “Dark Star” remains the touchstone for what’s possible in epic frameworks, with notes climbing, darting, and skittering amidst a dark canvas seared with mystic vibes and punctuated with blossoming instrumentals. Along with the inseparable pairing of “St. Stephen” and “The Eleven—a sequence that highlights the raw gospel beauty of Garcia, Lesh, and Bob Weir’s harmonies as well as breathtaking tightrope segues—the explorative excursion epitomizes the Dead’s progressive inclination, cohesion, and ability.

Live/Dead isn’t all about the art of the improvisation. R&B-driven electric blues comes courtesy of organist/vocalist Ron “Pigpen” McKernan, still in excellent health, and pianist Tom Constanten, who departed the band shortly after these shows occurred. The latter’s counterpoint playing and spiritual accents shadow the shivering ballad “Death Don’t Have No Mercy” and underscore a rousing, percussive-laden marathon take of “Turn on Your Love Light.” Call-and-response segments, spontaneous exchanges, and joyous merry-making doesn’t come any better. Live/Dead is a landmark in every sense; it remains the first 16-track album released. Its impact is still felt today.

From the illustrative cover art (hint: the word “Dead” subtly spells out “Acid” on the back cover) to the gatefold graphics and the extraordinary sonics, Mobile Fidelity’s 180g 2LP edition ranks among the label’s best releases.

By: 
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Wednesday, February 1, 2012

LP -- Barrence Whitfield & THE SAVAGES




  Savage Kings
           LP Shake 1265
          Shake It Records,
                   Cincinnati, OH

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    Barrence Whitfield &
   THE SAVAGES
The core Savages lineup of Whitfield/Greenberg/Lenker have reunited for a full-bore rhythm & blues fueled, rock n' roll stomp. Savage Kings returns to the Savages' heyday of their debut & Dig Yourself sound of an all-nite party blowout that you will pay severly for the next morning.... and isn't that the way it should be??? Rave-up covers mixed with originals combine to serve up the return of the classic lineup that may very well out deliver the goods than those initial LPs... which says alot 

The Shake It Records Label was started by Jess Hirbe & Doc Kalmus in 1978 as a way to issue records from local no-goods - mainly The Customs. It sat dormant for most of the 1980's until it was revived to issue The Mortals "The One" 7' in 1993. Since then, the label's present owners have released (or will soon release) albums, CD's & 7"s from The Ass Ponys, Nomads, Hogscraper, Hasil Adkins, The Cowslingers, Tigerlilies, Long Gones, Thee Shams, Pearlene, Man or Astroman? Dalhart Imperials, Eric Kinsey & His Tip-Top Daddies, Crimson Sweet, Wussy, Dan Melchior, John Doe (1200 Hobos), Viva La Foxx, The Not, Glue, Customs, Mr. Dibbs, Greenhornes & more.



      By:     Shake It Records


        Shake iT RECORDS